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・ H. Mallawathanthre
・ H. Marlene O'Toole
・ H. Marshal Ward
・ H. Marshall Jarrett
・ H. Matsumoto
・ H. maxima
・ H. McCallum
・ H. McNamara
・ H. Jay Dinshah
・ H. Jay Melosh
・ H. Jay Riker
・ H. Jeff Kimble
・ H. Jefferson Powell
・ H. Joel Deckard
・ H. Johan Andersson
H. Johannes Wallmann
・ H. John Caulfield
・ H. John Heinz III
・ H. John Heinz III Center for Science, Economics and the Environment
・ H. John Poole
・ H. Johnson
・ H. Jon Benjamin
・ H. Jones
・ H. Joseph Allen
・ H. Joseph Hepford
・ H. juncea
・ H. Justin Davidson
・ H. K. Ayliff
・ H. K. Bedford
・ H. K. Brown, Jr.


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H. Johannes Wallmann : ウィキペディア英語版
H. Johannes Wallmann
H. Johannes Wallmann (born 23 February 1952 in Leipzig) is a contemporary composer and integral artist. His works cover compositions for landscape sound and three-dimensional sound, chamber music and orchestra. as well as musical combination and self organisation systems. He developed the basis for a new aesthetic theory and terminated after many years 2005 the work on a book with the title: ''Integrale Moderne - Vision und Philosophie zur Kultur, Demokratie und Ökonomie der Zukunft'' ("Integral modern trends - vision and philosophy for the culture, democracy and economics of the future").
== Works ==

* ''"GLOCKEN REQUIEM DRESDEN - Komposition für 129 vernetzte Dresdner Kirchenglocken"'' (“BELLS REQUIEM DRESDEN - composition for 129 interlaced Dresden church-bells")
* ''"KLANG FELSEN HELGOLAND - Landschaftsklang-Komposition"'' (“SOUND ROCK HELGOLAND - landscape sound composition”)
* ''"INNENKLANG-AUSSENKLANG - Musik im Raum für 4 Orchestergruppen, Soprane und Soundscapes"'' (“INTERIORSOUND-COUNTERSINK-LONG - music in the area for 4 groups of orchestras, Soprane and Soundscapes”) Broadcast Symphony Orchestra Berlin
* ''"intars 2138"'' - Dresden Philharmonic Orchestra
* Lichtklang-Landschaft "der grüne klang" (Light sound landscape “the green sound”)
* ''MAN-DO - Musik im Raum für 6 Instrumentalgruppen"'' ("Music in the area for 6 groups of instrument valleys") Berlin Philharmonic Orchestra
* ''DER BLAUE KLANG - Landschaftsklang-Komposition für voneinander weitentfernte Vokal- und Orchestergruppen für die "Wörlitzer Anlagen"'' (The BLUE SOUND - landscape sound composition for widely separated vocal and groups of orchestras for the “Wörlitzer plants”)
* ''"GLOCKEN REQUIEM XXI für drei voneinander weitentfernte Chorgruppen, 137 Glocken und elektronische Klänge"'' (“BELLS REQUIEM XXI for three widely spaced groups of choirs, 137 bells and electronic sounds”)

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